INT. HOLLYWOOD - SCREENWRITER - DAY - INT. HOLLYWOOD - SCREENWRITER

INT. MIKE MEYERS - AUSTIN POWERS - DAY

EXT. LUNAR MODULE - SURFACE OF THE MOON

Austin and Felicity step out in their spacesuits.

AUSTIN

This is one small step for man, but a giant step for shagging. Can you imagine it, baby, weightless? The permutations are mind-boggling.

FELICITY

Naughty boy!

Austin plants a UNION JACK on the moon.

AUSTIN

God Save the Queen.

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Blogged by Screenwriter under MIKE MEYERS - AUSTIN POWERS

INT. SAM RAIMI - THE EVIL DEAD - DAY

EXT. THE WOODS - DAY
Something evil is lurking deep withing the wooded mountains of Tennessee, and the camera takes its point of view. Rising from a swampy bog, the mud slides from view allowing it to see early morning mist hanging about the forest. Creeping silently past trees, gliding over small shrubs, it moves onward through the woods until a mammoth oak rests directly in its path. The tree is uprooted by this unseen force, and falls with a deafening crash.

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Blogged by Screenwriter under SAM RAIMI - THE EVIL DEAD

INT. HAMPTON FANCHER'S BLADERRUNNER - DAY

THE EYE

It's magnified and deeply revealed. Flecks of green and yellow in a field of milky blue. Icy filaments surround the undulating center.

The eye is brown in a tiny screen. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. There's a touch-light panel across the top and on the side of the screen, a dial that registers fluctuations of the iris.

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Blogged by Screenwriter under HAMPTON FANCHER'S BLADERRUNNER

INT. / EXT. MEDIEVAL LONDON COURTYARD - DAY

Helgeland, the modern master, lays it out for us, destiny, calvinism vs. free will by any other name.

YOUNG WILLIAM

Can it be done, father? Can a man change the stars?

THATCHER

Yes, William. If he believes enough, a man can do anything.

Or maybe, if it's in one's blood, one doesn't have to.

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Blogged by Screenwriter under / EXT. MEDIEVAL LONDON COURTYARD